Great fashion writing doesn’t reduce everything to what is for sale, what’s hot and not. Great fashion writing looks at clothing and the uses of clothing with the same amount of cultural reverence we give a Lars von Trier movie or the U.S. Open, as something that exists, and it asks why it exists, and how it fits into its larger culture.
…Sarkeesian is for the most part merely holding a mirror up to what she sees in modern games, and asking developers to put an iota of thought into things before they relegate all women roles in their games to being strippers, prostitutes and princesses to be rescued. She is asking for absolutely zero censorship of games, and the odds that your favorite game franchise will stop including gratuitous sex and violence is roughly on par with the odds that all of your favorite characters will survive the last book of The Game of Thrones. Apparently though, there are those who believe that her videos will somehow going to result in all boobies disappearing from the internet, because her most recent video has resulted in Anita and her family going into hiding after getting violent threats. Because she has an opinion about what makes good games that is different than yours or mine.
Are our ways of teaching students to ask some questions always correlative with our ways of teaching them not to ask - indeed, to be unconscious of - others? Does the educational system exist in order to promulgate knowledge, or is its main function rather to universalize a society’s tacit agreement about what it has decided it does not and cannot know?
Barbara Johnson, “Teaching Ignorance: L’Ecole des femmes,” Yale French Studies 63 (1982), p. 173 (via nosex)
But someone I was seeing
Was reflected without
Support in his hedgerows little
Lines transversal to
Of play gleaming adjacent
To phones charging on
To shame than
I was seeing camouflage
Inside glass but faded
From view to power