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the-social-collective:

by *elizabeth lever*

the-social-collective:

by *elizabeth lever*

I don’t know if there is anything wrong with me because I don’t know how other people are.
Barry Egan, Punch-Drunk Love. dir. Paul Thomas Anderson. (via zebrazygotes)
There are
some feelings
you will never
find words for;

you will learn
to name them
after the ones
who gave them
to you.
Manchester by Kishi Bashi from the album: 151a

fyeahcuteindie:

Kishi Bashi - Manchester | 151a

I was not born into the wrong body, I was born into a world that doesn’t know what my body means.
Ollie Renee Schminkey (via huiyan)

sociolab:

Do you ever think about the fact that the US has created and legitimized a system of institutionalized inequality by funding schools through property taxes?  That basically a child’s education is only as good as the value of the property in their neighborhood.  Funny how education is so often viewed as an equalizing factor when there is nothing equal about it.

squm:

Self-Portrait (with arm) by Addie Price

squm:

Self-Portrait (with arm) by Addie Price

Ghost in the Shell.

Ghost in the Shell.

The natural is never an attribute of physical Nature; it is the alibi paraded by a social majority: the natural is a legality.
Roland Barthes, Roland Barthes (University of California Press, 1994) 130. (via chipclayton)
Anxiety can just as well express itself by muteness as by a scream.
Søren Kierkegaard (via blackestdespondency)
Great fashion writing doesn’t reduce everything to what is for sale, what’s hot and not. Great fashion writing looks at clothing and the uses of clothing with the same amount of cultural reverence we give a Lars von Trier movie or the U.S. Open, as something that exists, and it asks why it exists, and how it fits into its larger culture.